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Fulcrums

This piece was written very much on a whim and crowd-edited by several unwitting friends of mine (thank you, Jen :). On a slow day I was drawing up a fictional calender system for Iapetus, when I began to ask myself: Who would live there? The marginalized peoples. The big nations have their eyes on the prime real estates of the solar system: Mars, Luna, Europa, Titan and so on. What about all of those other moons and all of the other people’s of Earth? Where will the Africans and and Mexicans and Uzbekhistanis go? Triton, Iapetus, Callisto? Or Janus, Prometheus, Miranda? Even further: To Pluto or Sedna?

I’ve tried to envision a world where the Bengalis were ”helped” to colonize Iapetus.

Fulcrums

To give flames, comments or whatever else, please go to here.

Dark Days

Another masterpiece from me:

Dark Days

It’s part of my overall story, but set in another time and place, earlier in this century and in what (will soon) be the Federated States of America. Dark Days is a bitter piece, set in a hard time, and even to me it feels like a sermon from on high. But a story needs to be told, no matter how awkward it may be.

As with Express Elevator, the source file is available here

Express Elevator

Well, it’s ready for release. The Story, or at least the part of it that I both consider to be finished and able to stand on it’s own. I intend this to be ultimately part of a larger story, and I will edit it as such (some of the exposition would fit better elsewhere).

Anyways.

Express Elevator is set in the year 2073, where there’s just been a terrible accident above Io. People are screaming and things are exploding. Read it, enjoy it. Flame me for the song and dance number with buxom space bimbos, love me for the gratuitous (yet strangely touching) Martian lesbian sex scene.

Watch! Full-on antenna on antenna alien love.

…wait, that’s the sequel. Christ, just read it. I’m releasing this under a Creative Commons Attribution-Noncommercial 3.0 license. This is to say you are free to alter and redistribute this work, so long as you do not charge for access or remove the original attribution to me as the author. As such I’ve also uploaded the source TEX file for easy alteration.

Express Elevator

You can grab the TEX file here.

Feedback is absolutely welcome, either on this thread or by email to me. Work is still ongoing, I’m constantly fixing typos, rewriting sections, fixing grammar and the like.

Additional credit goes to Mariah for nit-picking my grammar, Jen for nit-picking my spelling, Tef for advice on grammar and Mofidul asking for more space battles.

A phoblog without photos is a lonely one

The dry spell is nearly at any end, my laptop’s charger should be here tomorrow. Once it’s here I can finish some very outstanding processing and printing works.

But truth be told it’s been nice to hang up the camera for a spell and not have to go snapping the kids or anything else for that matter. I haven’t even been looking at anyone else’s works in that time, for that matter, outside of trolling randomly on photographic forums.

“How is my photo?”
“It needs more truthiness!”

Har.

Of all things, I’ve been working on a short story that I’ve had in mind for some time. I’m particular about my science-fiction - it must be a certain kind of hard, or a certain kind of soft…it’s like porn with ray guns, now that I think about it. There’s good porn, bad porn, and downright nasty porn that you’ll eternally regret watching.

So, as far as hard sci-fi goes, I like the entire book to be realistically believable. What do I mean? As a Linux and general computer geek, I have a good grasp of what the actual state of the art is, which is incidentally why I think that Hollywood writers as a whole should be put through a few CompSci classes.

I’m an armchair astronomer and again, I have a fair idea of the technical and practical difficulties involved in space flight. Even something seemingly trivial, say beaming a photograph back to Earth, is an involved process. To quote an email from the Cassini imaging team:

The spacecraft points its high gain antenna toward Earth and transmits the data from all of its instruments, as well as information about the operational status of the spacecraft. These telemetry signals make their way across 1.6 billion kilometers of space and are received by the giant dish antennas of the Deep Space Network. These packets of telemetry are piped to the Jet Propulsion Laboratory in Pasadena, California, where they are “unpacked.” Raw ISS image files are assembled from the data stream and are forwarded to CICLOPS…

I want my story to have a solid base, grounded in established facts. It’s honestly a daunting task,because the more I learn, the I need to learn. Do you know what a planetary magnetic wake is, and what it’s relationship is to protecting people from the hard radiation of a gas giant’s magnetosphere?

It’s something I happily do as I’ve always found anything related to space fascinatingn and before me is as good as reason as any to buff up on it. There is a line though. At some point I have to bend the rules in favour of telling a good story. It’s great that I might educate you a little on some of these things in the course of telling you a story, but if you want a wanton deluge of facts, just go follow links on Wikipedia for a few hours.

There’s an even hazier line to be found in Things You Don’t Need to Know. In his excellent novel Titan, Stephen Baxter spares nothing in immersing you in the story of a hobbled-together mission to Titan, including detailed sections of the effect of sustained nutritional deficiency in low and zero-gravity environments. In layman’s terms, zero-g diarrhoea. It’s something that brings home their dire situation and adds another level of involvement, but it’s also something that personally made me step back: I want escapism, not poop stories!

Technical and scientific facts aside, there’s a more subtle difficulty: The mindset of the protagonists. To put it to you directly, the author is affected by his world, and this in turn influences the characters. I’m a young person from a western society who has twenty four hour access to a little thing called the internet. I have immediate and arbitrary to information, communication, entertainment in just about any audio-visual and text format I care to name. That influences me, and it would influence my characters also. How would you react in moving from an environment saturated with instantly available information to one where, at best, there’s a twenty minute time lag..each way?

If I look back to books written before the invention of the internet that are set in quasi-modern times and settings, the characters look dated. Their reactions to events and thought processes aren’t what they would really be if the book was written today. It’s an odd and personal peeve.

Those are my challenges, or at least the first ones to rear their heads.